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Posts Tagged ‘Nealay Patel

Jewelry for the New Romantic by Nealay Patel has several surprising beautiful designs.  Nealay hit upon the idea of using beading wire as part of her jewelry design.  His creativity led to this book of designs.  Coated beading wire is no longer a means to an end.  It becomes an integral part of the design itself.

First, you see the design on the cover, where gold beading wire forms perfect loops, with gorgeous Pacific Opal bicones that connect 2 loops, forming figure 8s.  But the focal point of this design is what draws the eye. It’s a series of golden wire loops and bead dangles, along with short links of chain.  The beading wire loops look soft, very feminine.  It is just sturdy enough not to fall and droop.  Yet, unlike regular beading wire, these aren’t stiff, won’t bend and become smashed.  I love the delicate look.  I turned to that project first, and was pleased to see that project, and many more, show variations on the theme, and how to use the instructions to make matching earrings, and in this case, a matching bracelet too.  The earrings look positively fun all by themselves.  Loops of that gold beading wire have a few crystals to catch the light, then a single jump ring below contains small chain, bicone links, and small links.  I think these could be made separately and be a great item for shows.

After seeing these, I skimmed through looking at other earrings in the book.  The Golden Knights design also has a great earring design.  Nealay took a brighter golden beading wire this time and made a series of loops around a central crystal bicone.  But these loops all went the same direction.  They reminded me of looking at drawings of moons going around a planet, only in this case, up and down, instead of the around we usually think of.  On these loops were small gold beads and crystals, with tiny crimps holding them up.  There was another small cluster of beads at the very bottom of these loops.

I found 1 other design that was very different.  She created beaded square frames that were open in the middle.  Inside these were various looks of beading wire, all different. And on these small loopes were various beads and crystals, in colors that match the frames.  He had attached these to form large links, but even a single one would make a great pendant.  And, again, he showed smaller ones for earrings.

I love the way Nealay took beading wire beyond its typical “hidden” state and brought it to the forefront.  He has yet another design where loops form dangling drops, so they are interspersed along a necklace, with cluster of 2 or 3 near the end of a lariat design.  Very fetching.  And again, I must say it is the look of the beading wire that seems at once elegant and feminine, yet strong and dramatic.

If you work with small beads, you will love this book.  And if you don’t, you need this book to expand your own creativity in how you can use beading wire as an integral part of your designs.  One large focal pendant, or loops connecting larger lampwork or polymer clay beads would be a beautiful way to step off from Nealay’s designs into your own projects.


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